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border-top:1px solid #393939; clear:both; display:none; width:100%!important; position:relative; z-index:999999!important; height:90px!important"> <div class="adCenterClass" style="display:block!important; overflow:hidden; width:916px;"> <div id="footerAd_container" style="display:block!important; float:left; width:728px"> <iframe id="lycosFooterAdiFrame" style="border:0; display:block; float:left; height:96px; overflow:hidden; padding:0; width:750px"></iframe> </div> </div> </div> <table cellpadding=0 cellspacing=0 border=0><tr> <td valign="top" colspan=2 height=80 BGCOLOR="#000000" TEXT="#F7F7FF" bgproperties="fixed" background="04100500dvldtc.gif"> <div> <FONT SIZE="5" COLOR="#FFCC66" FACE="Arial" ><B>CHROMATISM,  A New COLOR PERSPECTIVE  for Artists</b></FONT><B>     |     </b><A HREF="index.htm" TARGET="_top" TITLE="CHROMATISM, A New COLOR PERSPECTIVE fo"><U><B>home</b></U></A></div> <div> <A HREF="id17.htm" TARGET="_top" TITLE="Page 1"><U>Page 1</U></A>   |   <A HREF="id18.htm" TARGET="_top" TITLE="Page 2"><U>Page 2</U></A>   |   <A HREF="id19.htm" TARGET="_top" TITLE="Page 3"><U>Page 3</U></A>   |   <B>Page 4</b>   |   <A HREF="id21.htm" TARGET="_top" TITLE="Page 5"><U>Page 5</U></A>   |   <A HREF="id22.htm" TARGET="_top" TITLE="Page 6"><U>Page 6</U></A>   |   <A HREF="id23.htm" TARGET="_top" TITLE="Page 7"><U>Page 7</U></A>   |   <A HREF="id24.htm" TARGET="_top" TITLE="Page 8"><U>Page 8</U></A>   |   <A HREF="id25.htm" TARGET="_top" TITLE="Page 9"><U>Page 9</U></A>   |   <A HREF="id26.htm" TARGET="_top" TITLE="Page 10"><U>Page 10</U></A></div> <div> </div> </td> </tr><tr> <td valign="top" width=210 BGCOLOR="#000000" TEXT="#F7F7FF" background="042d2c00dvldtc.gif"> <div> <IMG SRC="0e0bca50.jpg" border=0 width="188" height="165" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <IMG SRC="0f0bc9d0.jpg" border=0 width="188" height="157" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> <IMG SRC="10abd8f0.jpg" border=0 width="189" height="143" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> <td valign="top" height=400 BGCOLOR="#000000" TEXT="#F7F7FF"> <div> Page 4</div> <bR> <bR> <bR> <div>                          <IMG SRC="0874ebe0.jpg" border=0 width="334" height="190" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> (At this point art textbooks proceed directly from Newton's prism to the color wheel and pigment color mixing without equippng the artist with the simple physics of chromatic aberration behind the optical illusion that gives the artist control of color depth in art).</div> <bR> <div> Sir Isaac directed sunlight through a prism lens where it dispersed into the colors of the spectrum.  Each color emerged at a <I>different angle. </I> The lens of the eye operates under the same principal (chromatic aberration) as Sir </div> <div> Isaac's prism lens.</div> <bR> <div>                                         <IMG SRC="089eaa60.jpg" border=0 width="234" height="166" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> As each color enters the eye, it bends at its preordained angle. With Newton's set of angles in mind, let's reexamine nature's set of distance angles.</div> <bR> <div> As we determined, light rays from your thumb and the window entered the eye at different angles.  If we examine an actual landscape, as pictured next, we find that each distance enters the eye at a different angle......and is focused by a different lens shape.</div> <bR> <div>             <IMG SRC="08bc9d40.jpg" border=0 width="457" height="212" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> If we compare color light-rays with distance light-rays we find that:</div> <div>    (1) their angles are <U>similar,</U> </div> <div>    (2) <U>both</U> require rounding or flattening the eye lens in order to focus </div> <div>          onto the retina, </div> <div>    (3) and only <U>one color</U> or<U> one distance</U> can be focused on the </div> <div>          retina at a time.</div> <bR> <div>                  <IMG SRC="08d963c0.gif" border=0 width="406" height="316" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> <div> Which brings us to this conclusion:  Where distance angles focus nature to  advance and recede visually, color angles make picture planes appear to advance and recede visually,... because, in the eye and  brain,  color angles <FONT SIZE="4" COLOR="#FFCC66" FACE="Arial" ><B>mimic</b></FONT> distance angles, and distance angles are <FONT SIZE="4" COLOR="#FFCC66" FACE="Arial" ><B>three-dimensional!</b></FONT></div> <bR> <div> To:   <A HREF="index.htm" TARGET="_top" TITLE="CHROMATISM, A New COLOR PERSPECTIVE fo"><U>CHROMATISM,  A New COLOR PERSPECTIVE  for Artists</U></A>  <A HREF="id17.htm" TARGET="_top" TITLE="Page 1"><U>Page 1</U></A>   <A HREF="id18.htm" TARGET="_top" TITLE="Page 2"><U>Page 2</U></A>   <A HREF="id19.htm" TARGET="_top" TITLE="Page 3"><U>Page 3</U></A>   Page 4    <A HREF="id21.htm" TARGET="_top" TITLE="Page 5"><U>Page 5</U></A>   <A HREF="id22.htm" TARGET="_top" TITLE="Page 6"><U>Page 6</U></A>   <A HREF="id23.htm" TARGET="_top" TITLE="Page 7"><U>Page 7</U></A>   <A HREF="id24.htm" TARGET="_top" TITLE="Page 8"><U>Page 8</U></A>   <A HREF="id25.htm" TARGET="_top" TITLE="Page 9"><U>Page 9</U></A>   <A HREF="id26.htm" TARGET="_top" TITLE="Page 10"><U>Page 10</U></A></div> <bR> </td> </tr></table></body>